quarta-feira, 30 de novembro de 2011
domingo, 27 de novembro de 2011
sábado, 26 de novembro de 2011
- Sharon Olds ama o JT!
Primitive
I have heard about the civilized,
the marriages run on talk, elegant and honest, rational.
But you and I are savages. You come in with a bag,
hold it out to me in silence.
I know Moo Shu Pork when I smell it
and understand the message: I have
pleased you greatly last night. We sit
quietly, side by side, to eat,
the long pancakes dangling and spilling,
fragrant sauce dripping out,
and glance at each other askance, wordless,
the corners of our eyes clear as spear points
laid along the sill to show
a friend sits with a friend here.
Sharon Olds
sexta-feira, 25 de novembro de 2011
para ser eu mesmo
Sou grão de rocha
Sou o vento que a desgasta
Sou pólen sem insecto
Sou areia sustentando
o sexo das árvores
Existo onde me desconheço
aguardando pelo meu passado
ansiando a esperança do futuro
No mundo que combato morro
no mundo por que luto nasço
Mia Couto, in "Raiz de Orvalho e Outros Poemas".
entrevista asia
http://www.filmmakermagazine.com/issues/fall2000/features/dangerous.php
( entrevista com Ásia argento)
Argento is not the first celebrity to fall under the spell of the frail, mysterious Leroy, who is rarely seen in public without a hat, dark glasses and a blond wig, and makes public appearances at which he nervously speaks in a barely audible mumble. With their disparate, but similarly unorthodox upbringings, they're quite a team - and between them, they've managed to assemble quite a cast, including Winona Ryder (an avid Leroy fan), Marilyn Manson (Asia starred in one of his videos) and Peter Fonda (who works for an association that helps abused children). It may sound like a bit of a celebrity love-in - a sleazy trawl through the landscape of white-trash America in general, and Leroy's painful memories in particular - but Argento doesn't see it that way. "He has written the book, so he has dealt with it over and over for years I guess. And he's been in therapy for years. In a way, when you talk so much about something, it does not belong to you any more. It's happened to me and my bad memories. I've manipulated them and now they could be parts of Gone With the Wind."
quinta-feira, 24 de novembro de 2011
I insisted that his so-called forgeries were merely the result of an artistic desire for perfect representation; that we had no right to quarrel with an artist for the conditions under which he chooses to present his work; and that all Art being to a certain degree a mode of acting, an attempt to realize one’s own personality on some imaginative plane out of reach of the trammeling accidents and limitations of real life, to censure an artist for a forgery was to confuse an ethical with an aesthetical problem.